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Artificial

Related: Artifical Paradises (1860) - cultural artifact - unnatural

Compare: human

Definition

Artificial refers to something which is not natural, but rather created or manufactured by humans. --http://en.wikipedia.org/wiki/Artificial [Apr 2006]

Artificial, synthetic, ersatz, simulated

These adjectives refer to what is made by humans rather than natural in origin. Artificial is broadest in meaning and connotation: an artificial sweetener; artificial flowers. Synthetic often implies the use of a chemical process to produce a substance that will look or function like the original, often with certain advantages: synthetic rubber; a synthetic fabric. An ersatz product is a transparently inferior imitation: ersatz coffee; ersatz mink. Simulated often refers to a fabricated substitute or imitation of a costlier substance: simulated diamonds. --American Heritage Dictionary

Artifical intelligence

Artificial intelligence, commonly abbreviated as AI, also known as machine intelligence is the practice of developing algorithms that make machines (usually computers) act as if possessing human intelligence.

The accepted definition of artificial intelligence, put forth by John McCarthy in 1955: "making a machine behave in ways that would be called intelligent if a human were so behaving." Since that time several distinct types of artificial intelligence have been elucidated. --http://www.wikipedia.org/wiki/Artificial_intelligence

Artefact

Something viewed as a product of human conception or agency rather than an inherent element: “The very act of looking at a naked model was an artifact of male supremacy” (Philip Weiss). --American Heritage Dictionary

Books

  1. Artificial Paradises: A Drugs Reader - Mike Jay [Amazon.com]
    Times change--who would have thought that we'd ever see a nonjudgmental mainstream anthology of writings about mind-altering drugs? Editor Mike Jay delivers scores of well-selected hits of wild wisdom from Homer and his cronies to William Burroughs in Artificial Paradises. His mild-mannered but insightful introductions and links between pieces prime the reader for a series of expansive trips through other people's minds as they grapple with medical, moral, artistic, and spiritual puzzlers posed by drugs. Hopped-up coke fiend Sigmund Freud rants about his favorite little helper, while painter Henri Michaux complains that mescaline is a poor muse. The pieces are usually amusing and sometimes penetrating. Jay wisely avoids most of the propaganda we've already been oversubjected to in recent decades, instead focusing on the experience and assessment of drugs and their cultural value. Sections include Researches Chemical and Philosophical: Drugs and Science and The Algebra of Need: Drugs and Addiction, with selections from such disparate writers as Jean Cocteau and Thomas Szasz. Most of the pieces are very short--one or two pages--but highly concentrated, giving an immediate sense of the author's intent and attitudes, often inspiring a trip to the library for another dose. When it's time to turn on, tune in, and drop out, prepare yourself with the guidance of Artificial Paradises. --Rob Lightner for amazon.com

CDs

  1. Artificial Intelligence (1993)- Various Artists [Amazon US] [FR] [DE] [UK]
    The term "Artificial intelligence" was popularized in rock music by a John Cale album in 1985, but the Warp label was the first one that came up with the categorization "Electronic listening music". This is techno music rather designed for listening at home than being played in dance clubs, similar to the work of '70s bands like Tangerine Dream and Kraftwerk. Unlike its follow-up "AI2", "AI1" is a compilation of previously released and otherwise available material. Best tracks here are the wonderfully floating "Loving you" by Dr.LX Paterson (an excerpt from the Orb's mega-work "A huge ever growing pulsating brain") and the two Autechre tracks, "Crystel" and "The egg". The aforementioned tracks once were on a demo tape Autechre had sent to Warp Records in order to become engaged, so I guess it's essential stuff for all fans of Sean and Rob. However, Idon't find the contributions from other artists like B12, Aphex Twin, or Black Dog (all under pseudonyms) as interesting as their individual albums. And in consideration of Autechre's "Amber" or "Tri repetae", everything here seems a bit tame. The accompanying booklet features interviews (!) with all participating bands, and I guess you're interested in all the answers to questions like, "Why did you contribute to AI?", "Top 5 electronic tracks?", "Electronic music. Where next?". --Chris Turk from Regensburg, Germany for amazon.com

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