Starting in the 1980s, vinyl records were gradually replaced in mainstream music consumer markets with the compact disc (CD). Vinyl records continue to be manufactured and sold today, although it is considered to be a niche market comprised of audiophiles, collectors, and disc jockeys (DJs). Punk and hardcore bands also often produce their albums and singles on vinyl.
Some audiophiles dispute the superiority of CDs. The lack of hiss or background crackling is dependent on the quality of the original recording. There are also inherent limitations of the 44 kHz sampling rate used for CDs, which tends to distort subtle phase differences that affect the psychoacoustic placement of the sound in the stereo image. The quality and clarity of the sound is very much dependent on the quality of the reproduction equipment, for example the DAC (Digital to analog converter).
The background noise one hears on a vinyl record has been compared to the patina of an oil painting -- a part of the work, not an imperfection to be eliminated; moreover, it has been claimed that some pre-CD recordings were made with this patina in mind. To further cloud the issue, some pop music released on CD has had crackles and hiss added artificially, for effect. See Lo-fi. --http://en.wikipedia.org/wiki/Analogue_disc_record, accessed Apr 2004
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