[<<] 1990 [>>]
Related: 1990s
Film and television: Twin Peaks (1990) - Henry & June (1990) - Atame / Tie Me Up! Tie Me Down! (1990) -
Literature: Sexual Personae (1990) - Camille Paglia
Music: Masters at Work
Twin Peaks (1990) - Lynch, Frost, et al
Masters At Work
[...] descending from the Puerto Rican quarters of Brooklyn and the Bronx, came Masters at Work (Gonzalez and Vega), whose names will forever be associated with the nomadic nineties.Jungle
It was around 1990, when jungle started emerging from the general dance scene. Kickin' and Shut up & Dance record labels started fusing breakbeat, house, hip-hop, reggae, techno and most importantly dub to produce what they called Jungle. In fact the name originates from one of the experimental clubs in London, called "Jungle" where the first fusion experiments were played. The term "jungle", though, had remained in the underground until 1993.--Unknow Author, 1998House singles
- Luv Dancin - Underground Solution (Roger Sanchez sampling Is it all Over my Face")
- Earth People - Dance
- Ron Trent - Altered States
- Rhythim is Rhythim - The Beginning (Derrick May)
- Psyche - Crackdown (Carl Craig
- Model 500 - Ocean to Ocean
- Blaze - 25 Years Later (LP)/ We All Must Live Together
- Electribe 101 - Talking With Myself
- The Source featuring Candi Staton - You Got The Love
- Jungle Brothers - What U Waiting 4?
- Deee-Lite - Groove is the heart
- 33 1/3 Queen - Searchin'
- Bobby Konders - The Poem
- The It - Rainforest Serenade [Larry Heard]
- Push/Pull - Bang the Drums
- Ce Ce Rogers - All Join Hands
- India - You Should be Loving Me [Louie Vega mix
- Bootsy's Rubber Band - Jungle Bass
- Suburban Knight - The Art Of Stalking [...]
Movies
- Miami Blues (1990) - George Armitage [1 DVD, Amazon US]
This movie managed to stay under almost everyone's radar screen, and this is truly a shame. This is a quirky, unorthodox, and unpredictable film with potent acting and a very intriguing story. It's a compelling and intelligent film that is very funny and yet quite sad. The movie came and went before Alec Baldwin emerged as a (sometimes) legitimate star. And he's really at his best, acting opposite Jennifer Jason Leigh, who delivers one of her trademark credible and powerful performances. Alec Baldwin portrays an ex-con who has just been released from a prison in Florida, and it doesn't take long before he's returning to his criminal ways. Early in the film Alec intentionally breaks the thumb of a Harry Krishna follower at the airport, who proceeds to die as a result of the trama. At this point, a detective (aptly and humorously portrayed by Fred Ward) begins investigating and pursuing Baldwin. Ward doesn't have enough evidence to arrest Baldwin, but he is pretty certain he's got the right man. An interesting and funny cat-and-mouse game follows. Baldwin makes his living by stealing from other criminals, mostly by robbing muggers just after they have robbed someone. Midway through the film Baldwin obtains a detective's badge and proceeds to impersonate a police officer, which allows him to more easily apply his trade and opens the way for several hysterical scenes. Jennifer Jason Leigh plays a prostitute who, after a tryst with Baldwin, ends up falling in love and living with him. The dynamic between these two characters occupies a central role in this film, and it is both convincing and interesting. As the film progresses, it becomes obvious that Baldwin is battling himself and facing large changes and challenges within himself. While continuing to impersonate a police officer while robbing people, it becomes obvious that he begins to internalize the persona and seems to think of himself as a protector of others. While this film is frequently violent, comic and funny, it is tinged with a very serious edge that meanders into areas of human longing, sadness and loss. This film unfolds slowly, but is compelling and funny every step of the way. Jennifer Jason Leigh's performance is poignant and provides emotional ballast, but Baldwin's performance borders on being gut-wrenchingly good. The heaviness and self-consciousness that often accompany his later performances are nowhere to be found. This film is daring, orginal and intelligent...and a lot of fun along with way. Hopefully the new DVD edition will allow it to surface on radar screen's everywhere. R. Werth for amazon.com - Wallace & Gromit - A Grand Day Out (1992) - Nick Park [1VHS, Amazon US]
Nominated for an Academy Award in 1990, the first short-film adventure of Wallace & Gromit was this 24-minute comedy, created by clay animator Nick Park over a six-year period at the National Film & Television School in London, and at the Aardman Animation studios that Park boosted to international acclaim. In their debut adventure, Wallace and his furry pal Gromit find themselves desperate for "a nice bit of Gorgonzola," but their refrigerator's empty and the local cheese shop is closed for a holiday! Undeterred, Wallace comes up with an extreme solution to the cheese shortage: since the moon is made of cheese (we all know that's true, right?), he decides to build a rocket ship and blast off for a cheesy lunar picnic! Gromit's only too happy to help, and before long the inventive duo is on the moon, where they encounter a clever appliance that's part oven, part robot, part lunar skiing enthusiast ... well, you just have to see the movie to understand how any of this whimsical lunar-cy can make any sense! It's a grand tale of wonderful discoveries, fantastic inventions--and really great cheese! --Jeff Shannon - Edward Scissorhands (1990) - Tim Burton [Amazon.com]
Edward Scissorhands achieves the nearly impossible feat of capturing the delicate flavor of a fable or fairy tale in a live-action movie. The story follows a young man named Edward (Johnny Depp), who was created by an inventor (Vincent Price, in one of his last roles) who died before he could give the poor creature a pair of human hands. Edward lives alone in a ruined Gothic castle that just happens to be perched above a pastel-colored suburb inhabited by breadwinning husbands and frustrated housewives straight out of the 1950s. One day, Peg (Dianne Wiest), the local Avon lady, comes calling. Finding Edward alone, she kindly invites him to come home with her, where she hopes to help him with his pasty complexion and those nasty nicks he's given himself with his razor-sharp fingers. Soon Edward's skill with topiary sculpture and hair design make him popular in the neighborhood--but the mood turns just as swiftly against the outsider when he starts to feel his own desires, particularly for Peg's daughter Kim (Winona Ryder). Most of director Tim Burton's movies (such as Pee Wee's Big Adventure, Beetlejuice, Batman) are visual spectacles with elements of fantasy, but Edward Scissorhands is more tender and personal than the others. Edward's wild black hair is much like Burton's, suggesting that the character represents the director's own feelings of estrangement and co-option. Johnny Depp, making his first successful leap from TV to film, captures Edward's childlike vulnerability even while his physical posture evokes horror icons like the vampire in Nosferatu and the sleepwalker in The Cabinet of Dr. Caligari. Classic horror films, at their heart, feel a deep sympathy for the monsters they portray; simply and affectingly, Edward Scissorhands lays that heart bare. --Bret Fetzer for amazon.com - Joe Versus the Volcano (1990) - John Patrick Shanley [1 DVD, Amazon US]
Joe Versus the Volcano is a true early-1990s cult film. This fantasy-comedy was the first pairing of Meg Ryan and Tom Hanks, yet it polarizes viewers like a Blue Velvet or Happiness. As the only directorial effort from John Patrick Shanley (the Oscar-winning writer of Moonstruck), it is something special, and it's hard to resist the film's feather-light heart tugging. Joe Banks is having the life sucked out of him at a dead-end job. Miserable in his gray surroundings with stark fluorescent lighting, Joe dreams of being brave again. A visit to the doctor reveals that he has a "brain cloud." It's fatal, but he'll be fine for a few more months. An eccentric millionaire, Samuel Harvey Graynamore (Lloyd Bridges), hears of Joe's predicament and comes to him with a proposal: The people of the Pacific island of Waponi Woo need a human sacrifice to appease their gods. Why not live like a king for a few weeks, then throw yourself into a volcano? (Graynamore needs a sacrificial victim to offer in exchange for permission to mine the island for a rare mineral.) Joe accepts Graynamore's lavish proposal and on his journey meets three romantic possibilities (all played by Ryan). Joe embraces life; so does the movie. It's packed with smile-inducing supporting performances by Bridges, Ossie Davis, Robert Stack, and Dan Hedaya; playful songs ("Sixteen Tons," "Ol' Man River," Presley's version of "Blue Moon"); and amusing scenes (such as Joe buying luggage). Add the daring, imaginative production design of Bo Welch (Edward Scissorhands), Hanks and Ryan's chemistry, and Georges Delerue's romantic music and you have a film to fall for. --Doug Thomas - King of New York (1990) - Abel Ferrara [1 DVD, Amazon US]
This low-budget crime thriller has the feel of a major blockbuster and owes its roots to the hard-edged crime movies of the 1930s. Christopher Walken stars as a drug kingpin who is released from prison and vows to use his position and influence--and criminal enterprise--for charitable means. But a core group of New York cops are all over him and his gang, determined to go to war, whatever the cost, to bring him down. Eventually his empire--headquartered at, of all places, Donald Trump's Plaza Hotel--crumbles under the weight of double-crossing and a body count of open warfare with the cops. This is one of the most stylish films of the last decade, with a strong supporting cast (including Lawrence Fishburne, Wesley Snipes, and David Caruso) and some truly enthralling set pieces, including a stunning car chase and gunfight across a rain-soaked Queensboro Bridge. The film's tongue-in-cheek, over-the-top style offsets its nihilism; and its riveting visuals will have audiences hooked from beginning to end. --Robert Lane - Goodfellas (1990) - Martin Scorsese
[1 DVD, Amazon US]
Martin Scorsese's 1990 masterpiece GoodFellas immortalizes the hilarious, horrifying life of actual gangster Henry Hill (Ray Liotta), from his teen years on the streets of New York to his anonymous exile under the Witness Protection Program. The director's kinetic style is perfect for recounting Hill's ruthless rise to power in the 1950s as well as his drugged-out fall in the late 1970s; in fact, no one has ever rendered the mental dislocation of cocaine better than Scorsese. Scorsese uses period music perfectly, not just to summon a particular time but to set a precise mood. GoodFellas is at least as good as The Godfather without being in the least derivative of it. Joe Pesci's psycho improvisation of Mobster Tommy DeVito ignited Pesci as a star, Lorraine Bracco scores the performance of her life as the love of Hill's life, and every supporting role, from Paul Sorvino to Robert De Niro, is a miracle. -- amazon editorial
Books
-
How I Made a Hundred Movies in Hollywood and Never Lost a Dime [Amazon.com]
See entry for Roger Corman
CDs
- 25 Years Later (1990) - Blaze
First accomplished house album, not available on CD. [...]