1972 films
Related: film - 1973 - 1970s films
Films: Don't Look Now (1973) - Fantastic Planet (1973) - La Grande Bouffe (1973) - The Mother and the Whore (1973) - Score (1973) - Soylent Green (1973) -
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- The Exorcist (1973) - William Friedkin [Amazon.com]
Director William Friedkin was a hot ticket in Hollywood after the success of The French Connection, and he turned heads (in more ways than one) when he decided to make The Exorcist as his follow-up film. Adapted by William Peter Blatty from his controversial bestseller, this shocking 1973 thriller set an intense and often-copied milestone for screen terror with its unflinching depiction of a young girl (Linda Blair) who is possessed by an evil spirit. Jason Miller and Max von Sydow are perfectly cast as the priests who risk their sanity and their lives to administer the rites of demonic exorcism, and Ellen Burstyn plays Blair's mother, who can only stand by in horror as her daughter's body is wracked by satanic disfiguration. One of the most frightening films ever made with a soundtrack that's guaranteed to curl your blood, The Exorcist was mysteriously plagued by troubles during production, and the years have not diminished its capacity to disturb even the most stoical viewers. Don't say you weren't warned! --Jeff Shannon for Amazon.comI never cared much for this movie, it is included here because it is was a breakthrough of the horror genre into the mainstream. --jahsonic [Jul 2004]
- Sisters (1973) - Brian De Palma [1 DVD, Amazon US]
Sisters is not Brian De Palma's first film, but in many ways it is the first Brian De Palma film, or at least the first to reveal (and revel in) his affinity with Hitchcock. A pre-Superman Margot Kidder struggles with a French-Canadian accent as an aspiring actress whose one-night stand leads to a homicidal morning-after. Jennifer Salt is a reporter with more moxie than tact or skill who sees the killing from her apartment window across the way. When the police fail to turn up any evidence of the crime, Salt investigates with a private eye (the hilariously relentless Charles Durning), uncovering the secret story of a pair of Siamese twins and a weaselly, stalker doctor. It's a mystery simmering in a stew of voyeurism, guilt, sex, and obsession. De Palma borrows from Rear Window, Psycho, and Vertigo (as well as Roman Polanski's Repulsion), and composer Bernard Herrmann quotes from his own Hitchcock scores (notably Psycho) for the unsettling music, but the result is more original than you might imagine. Laced with dark humor, inventive technique, and impressive technical precision (the split-screen sequences are breathtakingly effective), De Palma flexes his cinematic muscles with thrilling results, right down to the mordantly wry conclusion. De Palma graduated to big-budget thrillers, but this modest little production remains one of his sharpest, slyest, most engrossing films. Long available only in pallid video transfers, the Home Vision/Criterion letterboxed restoration is bright, clear, and beautiful. --Sean Axmaker [...] - The Wicker Man (1974) - Robin Hardy [Amazon US]
Typically categorized as a horror film, The Wicker Man is actually a serious and literate thriller about modern paganism, written by Anthony Shaffer (Sleuth) with a deft combination of cool subjectivity and escalating dread. (Robin Hardy here marks his only directorial effort.) We're introduced to the friendly but mysterious residents of Summerisle (located off the west coast of Scotland), where the isolated community enacts rituals that seem, at first, to be merely unconventional. When called in to investigate an anonymous tip about a missing child, mainland police sergeant Howie (Edward Woodward) is treated as an outsider, and the ominous Lord Summerisle (Christopher Lee) has the inside advantage. As the repressed policeman is taunted by the island's sensuous atmosphere, his investigation leads to increasingly disturbing implications.With phallic symbols and soothing music at every turn, Summerisle is a pleasant haven for those who perform the pagan rituals of Lord Summerisle's maverick ancestors. These earthy ceremonies are presented with alluring authenticity, and the island's tempting eroticism is fully expressed by the landlord's daughter (Britt Ekland), who fills Howie with barely suppressed carnal desire. (Sirens took a comedic approach to a similar situation in 1994.) And yet the mystery of the missing girl remains, with clues that hint at a darker reality beneath the colorful local customs. When that reality is ultimately discovered, Howie becomes the crucial element in the islanders' most elaborate ritual, which is where the film's title comes into play. It may not be horror, but it is horrific, and this makes The Wicker Man an unforgettable film. --Jeff Shannon for Amazon.com
- Aguirre, the Wrath of God (1973) - Werner Herzog [1DVD, Amazon US]
Quite simply a great movie, one whose implacable portrait of ruthless greed and insane ambition becomes more pertinent every year. The astonishing Klaus Kinski plays Don Lope de Aguirre, a brutal conquistador who leads his soldiers into the Amazon jungle in an obsessive quest for gold. The story is of the expedition's relentless degeneration into brutality and despair, but the movie is much more than its plot. Director Werner Herzog strove, whenever possible, to replicate the historical circumstances of the conquistadors, and the sheer human effort of traveling through the dense mountains and valleys of Brazil in armor creates a palpable sense of struggle and derangement. This sense of reality, combined with Kinski's intensely furious performance, makes Aguirre, the Wrath of God a riveting film. Its unique emotional power is matched only by other Herzog-Kinski collaborations like Fitzcarraldo and Woyzek. --Bret Fetzer for Amazon.com - Paper Moon (1973) - Peter Bogdanovich [1DVD, Amazon US]
A sweet and subtle gem of a movie. Newly orphaned Addie (Tatum O'Neal) falls into the care of small-time con artist Moses Pray (Ryan O'Neal, Tatum's real-life father) and turns out to be better at grifting than he is. Set in Depression-era Kansas, Paper Moon is a miracle of unity. The set design and cinematography combine to give both the flavor of documentary photos and the visual quality of movies from the period, and every performance meshes with the overall tone of sincerity, earnest optimism, and creeping desperation. The rapport between Addie and Moses is phenomenal--and being father and daughter doesn't make that a sure thing. Ryan O'Neal gives a truly great performance (perhaps the only one of his career) and Tatum won an Oscar for Best Supporting Actress (she's the youngest winner in history). Madeline Kahn was also nominated for her wonderfully funny and sad turn as an exotic dancer named Trixie Delight. Paper Moon has a miraculous combination of outrageous sentimentality and pragmatic cynicism; the result is genuinely touching. One of director Peter Bogdanovich's best films, and kind of a comic companion piece to The Last Picture Show. --Bret Fetzer for amazon.com - American Graffiti (1973) - George Lucas [Amazon.com]
Here's how critic Roger Ebert described the unique and lasting value of George Lucas's 1973 box-office hit, American Graffiti: "[It's] not only a great movie but a brilliant work of historical fiction; no sociological treatise could duplicate the movie's success in remembering exactly how it was to be alive at that cultural instant." The time to which Ebert and the film refers is the summer of 1962, and American Graffiti captures the look, feel, and sound of that era by chronicling one memorable night in the lives of several young Californians on the cusp of adulthood. (In essence, Lucas was making a semiautobiographical tribute to his own days as a hot-rod cruiser, and the film's phenomenal success paved the way for Star Wars.) The action is propelled by the music of Wolfman Jack's rock & roll radio show--a soundtrack of pop hits that would become as popular as the film itself. As Lucas develops several character subplots, American Graffiti becomes a flawless time capsule of meticulously re-created memory, as authentic as a documentary and vividly realized through innovative use of cinematography and sound. The once-in-a-lifetime ensemble cast members inhabit their roles so fully that they don't seem like actors at all, comprising a who's who of performers--some of whom went on to stellar careers--including Ron Howard, Richard Dreyfuss, Harrison Ford, Cindy Williams, Mackenzie Phillips, Charles Martin Smith, Candy Clark, and Paul Le Mat. A true American classic, the film ranks No. 77 on the American Film Institute's list of all-time greatest American movies. --Jeff Shannon - Heavy Traffic (1973) - Ralph Bakshi [Amazon.com]
Heavy Traffic is writer-director Ralph Bakshi's follow-up to Fritz the Cat, so if you're looking for a little something to watch with the kids, you might want to search elsewhere. It's an odd little movie, one that seems to both condemn and celebrate depravity at the same time. The hero is Michael, an artist who still lives with his battling parents. Michael is far too sensitive for the cruel city, though he sure seems to draw an awful lot of pictures of it. Michael hooks up with cool bartender Carole and the two of them set off to... well, they plan to do something. More engaging than the story are Bakshi's visual techniques, which include blending animated and live-action sequences and layering old film clips into cartoon backgrounds. Though interesting as a piece of animation, Heavy Traffic is difficult to recommend. There is a running thread of misogyny that makes the film off-putting, to say the least. Yes, all of the characters are unpleasant and yes, most of the violence is over-the-top enough to make a case for it being comic. It is the constant, casual misogyny that's unsettling--at one point Michael backhands Carole across the face and everyone, including Carole, seems to be fine with that. Keep an ear out for Jamie Farr and watch it for the animation, not the plot. --Ali Davis, Amazon.com