

From the Publisher
'Paul Morley is the greatest thinker/writer/social critic/tv presenter
since Plato/keynes/duchamp/betjeman' - Brian Eno
It's always nice to hear music that combines interesting ideas with a sense of humour and Fiesta Songs has plenty of both. Señor Coconut--aka prolific sonic chameleon Uwe Schmidt--has proved himself a master of tongue-in-cheek musical madness on many occasions. Schmidt's Señor Coconut persona has been his most popular project by far though. It's no surprise given the concept, which is the transformation of well-known songs into slightly cheesy, mildly exotic Latino lounge music.
After cha-cha-cha-ing a load of Kraftwerk classics on his previous El Baile Aleman (The German Dance) LP, he returns now with a more diverse collection than before, one that embraces a range of soul, pop and rock classics from the last 30 years. "Smoke on the Water", "Riders on the Storm", "Blue Eyes", "Smooth Operator" and "Beat It" all get the Coconut treatment and sit alongside a few original compositions. Some say he's a renegade genius, others that he's a tacky cover artist--most of us are too busy swaying and smiling to care. --Paul Sullivan for Amazon.co.uk
While you go out to see most other kinds of movies, you must go inward to see the extraordinary avant-garde films of Stan Brakhage. Foremost among American experimental film artists, Brakhage influenced the evolution of the moving image for nearly 50 years (his impact is readily seen on MTV), and this meticulously prepared Criterion Collection anthology represents a virtual goldmine of Brakhage's finest, most challenging work. Challenging because--as observed by Brakhage film scholar Fred Camper in the accompanying booklet--these 26 carefully selected films require the viewer to be fully receptive to "the act of seeing with one's own eyes" (to quote the title of one film, consisting entirely of autopsy footage), which is to say, open to the perceptual and psychological responses that are provoked by Brakhage's non-narrative shorts, ranging here from nine seconds to 31 minutes in length. While "Dog Star Man" (1961-64) is regarded as Brakhage's masterpiece, what emerges from this superb collection is the creative coherence of Brakhage's total vision. Through multilayered textures (often painted or scratched directly on film) and infinite combinations of imagery and rhythmic cutting, these films (most of them soundless) represent the most daring and purely artistic fulfillment of Criterion's ongoing goal to preserve important films on DVD. --Jeff Shannon for Amazon.com
The Trouble with Normal argues passionately against same-sex marriage, but here's the twist: not because it denigrates the institution of marriage, but because it perpetuates the cultural shame attached to sex between consenting but unmarried adults. When gay men and lesbians try to claim that they're just like "normal folk," Michael Warner writes, they do a profound disservice to other queer folk who choose not to live in monogamous or matrimonial bliss and who believe that the solution to being stigmatized for your sexuality is not to pretend it doesn't exist. Same-sex marriage advocates, he continues, often seem to be willfully blind to the cultural ramifications of their position, viewing marriage as "an intensified and deindividuated form of coming out." They don't seem to realize that if society validates their relationships, other types of relationships will by necessity be invalidated. (He also makes a strong case for the fight against sexual shame's being more than a queer issue, citing 1998's presidential impeachment crisis: "[Bill] Clinton, certainly, was not the first to discover how hard it is in this culture to assert any dignity when you stand exposed as a sexual being.") Extending his analysis, Warner shows how the championing of married gays and lesbians as "normal" is part of the same cultural climate that leads to "quality of life" crackdowns against queercentric businesses--as is already underway in New York City--and a deliberate sabotage of safer-sex education that puts millions of Americans at continued risk of exposure to HIV. Warner's precise, straightforward argument is enlivened by numerous sharp zingers, as when he accuses Andrew Sullivan of "breath[ing] new and bitchy life into Jesuitical pieties" about sexual morality. The Trouble with Normal is a bold, provocative book that forces readers to reconsider what sexual liberation really means. --Ron Hogan for amazon.com
